1. We started the process by deciding to focus on a ‘rock group’ image, therefore we knew that a performance element would be key to our video. As a result, we chose the song ‘Grounds For Divorce’ by Elbow. Having filmed an animatic of our rough storyboard on the Sony NX5 and cut it together on Final Cut Pro, we decided that we needed to include a narrative element in order to add another exciting dimension to the video.
2. We filmed the performance element on a Sony FS100, as by using prime lenses we were able to capture higher quality footage that added to the authentic nature of the band. Equally, by measuring out the length of shot, the footage was much sharper and helped to bring clarity to the video. Furthermore, we used a lighting monitor to co-ordinate and control all the lights, thus ensuring that all the members of the band were visible.
· 3.
In the post-production stage we used
digitisation to transfer the footage from the camera’s hard drive to the
editing software Adobe Premier. We used the rhythmic determent of the music and
placed marker on the beats on the timeline, thus indicating potential cutting
points. To finish the video we used colouring and grading tools. We adjusted
the colour palette so it had a blue tint, and did this by altering the contrast
and saturation of shots. Also we added a letterbox effect to generate an epic,
cinematic feel.
· 4. In order to create the special effects we
imported our footage from Adobe Premier to Adobe After Effects. We used stock
footage of muzzle flashes, and placed them on top of the image. We had to size
and position them correctly in order to ensure that the flash occurred around
the end tip of the gun. By blending the light around the gun the effect merged
with the background, and this helped to make the shot more realistic. By
placing masks around the actors faces, the faces of the actors lit up with the
gunfire, thus made the action more genuine and impressive looking. To emphasise
the continuous gunfire we used motion tracking, as it followed the point of the
gun and highlighted the muzzle flashes.
·
6. For the explosion shot we used multiple
layers of stock footage such as the explosion itself, mud and smoke we speeded
up or slowed down in order to create the most impressive explosion possible. We
also needed to cut around the log in the shot so that the explosion was behind
it. We used motion tracking to do this.
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